909 South Schumaker Drive ~ Salisbury, Maryland 21804 ~ 410.742.4988 ~ FAX 410.742.3107

In the Galleries . . .

LaMay Gallery ~ Welcome Gallery ~ Decoy Study

 
 
Decorative Lifesize Wildfowl

Thomas Horn, Emmaus, PA
Plate-billed Mountain-toucan

 
Decorative Lifesize Waterfowl Pair

Richard Reeves, Covington, LA
Red-breasted Mergansers

 
Interpretive Wood Sculpture

Joseph Michel, Forest Hill, MD
Snow Goose
 
Decorative Miniature Wildfowl

Jeff Krete, Cambridge, ON, Canada
"Pintail Courtship"

 
Shootin' Rig

Rick Johannsen, Port Clinton, OH
Canvasbacks
 
A. Danner Frazer Memorial Award
(11 yrs. & under)


Lucas Krete, 10, Cambridge, ON, Canada
Bufflehead Drake
 
A. Danner Frazer Memorial Award
(12 - 15 yrs.)


Luke Costilow, Amherst, OH
Wood Duck Drake

Congratulations to all of our winners! Click here to download lists of all 2004, 2005, 2006 and 2007 winners. To see the 2003 World winners, Click here. To see many other fine wildfowl carvings, sculptures and paintings, visit the Ward Museum in person, and don't miss the 38th annual Ward World Championship Wildfowl Carving Competition, April 25-27 2008 in Ocean City!


LaMay Gallery
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Herman Maril: Birds and Nature


January 18- March 30, 2008


Reception: January 18, 5-7pm
The LaMay gallery is featuring paintings by famed artist and native Baltimorean Herman Maril (1908-1986). With a distinguished 60-year career of painting and educating, Maril's work is featured in numerous premiere art collections around the country. A special exhibition of his work concentrating on his landscapes, seascapes and wildfowl paintings has been assembled with support from the Walters Art Museum.

Birds in Art Exhibit


April 4- June 1, 2008


Reception: April 4, 5-7pm
The Leigh Yawkey Woodson Art Museum's Birds in Art exhibit returns to the Ward Museum. This exhibit seeks to present the very best contemporary artistic interpretations of birds and related subject matter. Two- and three-dimensional artworks in all media other than crafts and photography are on exhibit. Birds in Art catalog to be sold in the museum Gift Shop.

Welcome Gallery
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Regional Carver: Eddie Wozny

February 29-July 27, 2008

 
Wildfowl carver Eddie Wozny of Cambridge, Maryland will be featured in this season's Regional Carving exhibit. Eddie's work includes a vast array of waterfowl, shorebirds, upland game fowl, birds of prey, and songbirds. He creates flyers and miniatures in addition to life-sized interpretations.

Decoy Study Gallery
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From Muzzle to Breech
Collection of John Clayton, Jr.
Forked River, New Jersey
Levi Phodes Truex
 

This display demonstrates the evolution of gunpowder and shotgun shells from 1860 to 1940 as it relates to the market and sport gunners from that era.

From the first settlers until just after the Civil War, long barreled muzzle loading single shot fowlers and double barrel shotguns were used to harvest waterfowl. Both used black powder and many had large gauges of 8 and above. They were heavy and cumbersome. By 1890 gunners were taking full advantage of the new improved smokeless powders being produced by manufacturers such as Du Pont, King, Hazard and Lafkin & Rand. All of the powder cans displayed are from that time period. Many hunters were still using muzzle loading shotguns but the new powders reduced the need for extra large gauges. 10 and 12 gauge then became the norm. It was not uncommon for the sink box market hunters to employ two double shotguns, enabling them to get off four shots into an incoming flock.

Around 1890 breech loading shotguns were becoming available, especially to the wealthy city sports that were forming gun clubs, buying up or leasing the best gunning grounds up and down the East Coast. Many reloaded brass cases that could be used many times over. The two reloading boxes displayed would have held all the necessary items needed for that purpose.


Long Island Cork Decoys
Long Island, New York

 

Any discussion of Long Island cork decoys must begin with some definitions. In general there are three kinds of cork and high density cork. The latter is a development of the second half of the 20th century and decoys made from it would be considered contemporary and not within the scope of this exhibit.

White cork is the bark of the cork oak, a tree indigenous to the Iberian Peninsula of Southern Europe. It is the stuff of wine corks. Cork came to be used in the manufacture of life vests used on all manner of sailing vessels in the middle of the 19th century. The cotton, however, deteriorated quickly and many were thrown overboard. Many washed ashore along the Atlantic coast beaches. Early decoy historians tell us that individuals were using cork to make decoys well before 1900. These early cork stool were usually pieced together from several pieces of cork. As time passed carvers began to purchase cork in bales, thus getting larger and thicker pieces with which to work. White cork stool were made in considerable numbers until World War II. In general, these white cork decoys are today's collectables.

Black cork refers to the thick sheets of coarsely grained cork, glued and pressed together to form insulation for walk in refrigerators. The material turned out to be a terrible choice for decoys, as the glue dissolved in salt water and the decoys broke apart and crumbled to pieces.

By the 1940's a denser form of black cork came into production with vastly improved glues and fine sized cork granules was available in four foot sheets. Many Long Island hunters were taught to make black ducks, mallards, broadbills and geese of these materials by Long Island's Al McCormick of Westbury who set up shop at early Long Island decoy shows. Others used Paul Casson's book Decoys Simplified to make their own rigs.


Antique Decoys
--Continual--

 
Changing exhibits which feature the finest examples of antique decoys from the Ward Museum collection and from other collectors' shelves across the country.